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Sitaare Zameen Par Box Office Collection Worldwide
On day 24, Sitaare Zameen Par's India Net Collection was ₹ 160 crore. Its India Gross Collection is inching close to the ₹200 crore mark, now standing at ₹ 191.90 crore. At the international box office, the film's Worldwide Collection was ₹ 245.90 crore on day 24.

हर जगह बस भीड़ और शोर था... अब ईडोक़ पर सुकून मिला है।

मैं फेसबुक, इंस्टाग्राम और ट्विटर सालों से चला रहा हूँ।
पहले अच्छा लगता था, लेकिन अब सब कुछ बेमतलब लगने लगा है।
हर जगह बस वायरल ट्रेंड, पेड कंटेंट और दिखावा।

अपनी बात कहने की जगह जैसे बची ही नहीं है।
कई बार लगता है कि मैं अपने ही सोशल मीडिया पर अजनबी हो गया हूँ।

इसी बीच मुझे Eidok के बारे में पता चला।
जिज्ञासा में अकाउंट बना लिया, और सच कहूँ —
पहली बार किसी प्लेटफॉर्म पर शांति महसूस हुई।

यहाँ कोई ज़बरदस्ती का ट्रेंड नहीं है,
कोई आपकी पोस्ट को छाँटने वाला एल्गोरिदम नहीं है,
और सबसे अच्छी बात —
यहाँ आप जैसा हैं, वैसा ही रह सकते हैं।

हाँ, प्लेटफॉर्म नया है, कुछ फ़ीचर अभी आ रहे हैं,
लेकिन जो "फीलिंग" है ना — वो खास है।
यह बस एक ऐप नहीं है,
ये एक सोच है — जहाँ इंसान सबसे पहले है, डेटा नहीं।

अगर आप भी सोशल मीडिया से थक चुके हैं,
तो एक बार Eidok ज़रूर आज़माइए।

https://eidok.com

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Smt. Smriti Irani attended the 47th Annual General Meeting of the Prime Ministers’ Museum and Library Society today at PM Sangrahalaya, chaired by Hon’ble Prime Minister Shri Narendra Modi ji.

The Prime Ministers’ Museum stands as a testament to India’s democratic journey, honouring the life, leadership, and legacy of every Prime Minister who has shaped the nation's destiny.

More than a repository of records, PM Sangrahalaya is a living tribute to India’s evolving aspirations, bringing alive the story of a nation that has grown through the vision of its leaders and the will of its people.

In chronicling the political imagination and institutional contributions of successive Prime Ministers, the Museum serves as an enduring space of reflection for citizens, scholars, and statesmen alike.

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Indian national worshiping Israeli rabbi. The rabbi disgusted and another jewish kicked him in his back...

KRK Faces Backlash for Misleading Review of 'Sitaare Zameen Par' as Film Scores Big at Box Office

Mumbai, India – June 21, 2025:
Self-proclaimed critic Kamaal R. Khan, popularly known as KRK, finds himself at the receiving end of harsh criticism once again — this time for his inaccurate and dismissive review of Aamir Khan’s latest film Sitaare Zameen Par. Despite KRK's early negative comments, the film opened to a strong ₹10.70 crore on Day 1 and continues to earn praise from both audiences and genuine critics alike.

Prior to the film’s release, KRK had confidently predicted that Sitaare Zameen Par would “flop badly” due to its “non-commercial content” and “lack of mass appeal.” He went as far as to call it “a disaster in the making” — a claim now proven entirely baseless.

As positive word-of-mouth began spreading after the first shows, it became increasingly clear that KRK’s so-called “review” was not only premature but also deliberately provocative. Social media users wasted no time in calling out the self-styled critic for misleading his audience and attempting to sabotage a film that carries an emotional and socially relevant message.

“KRK should stop calling himself a film critic. He’s just a loud YouTuber with no real understanding of cinema,” one user wrote on X (formerly Twitter). Another commented, “Every time a good film releases, KRK tries to drag it down with zero logic. Thankfully, the audience is smarter now.”

This is not the first time KRK has faced backlash for his reckless and often sensationalist takes. In the past, he has been involved in multiple controversies, including legal action from Bollywood celebrities for defamation and harassment.

Industry insiders believe that critics like KRK are slowly losing relevance in the age of informed audiences and social media transparency. “When a film like Sitaare Zameen Par connects with the audience, no baseless review can stop its success,” said a senior trade analyst.

With Sitaare Zameen Par poised to enjoy a strong weekend, KRK’s credibility — what little remained — seems to be in free fall. As the numbers speak louder than noise, it is evident that cinema still belongs to storytellers, not self-proclaimed “experts” chasing clout.