Star Wars: Attack of the Clones Box Office Decline

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Over the weekend, Europe's box office was notably impacted by a heatwave, causing a decline in movie attendance as the blockbuster “Star Wars” sequel, “Attack of the Clones,” began to lose momentum. Industry insiders are now eagerly awaiting the release of “Spider-Man” in the upcoming weeks, predicting a potential resurgence.

Meanwhile, in Japan and Latin America, “Spider-Man” continued to dominate, generating significant revenue through its ongoing run. Films like “Panic Room,” “Shaolin Soccer,” and “40 Days and 40 Nights” also performed well, securing impressive earnings across various markets.

“Clones” entered its third international release, earning approximately $18.2 million across 70 countries on roughly 5,500 screens. Its cumulative international total reached about $159.5 million. Despite this, the film experienced substantial drop-offs in several key regions—mirroring the decline seen in the U.S.—which raises doubts about surpassing the $494 million overseas gross of “Episode I.”

In the UK, “Clones” accumulated $37.5 million but saw a steep 62% decrease, coinciding with a 40% overall market decline due to the Queen’s Jubilee festivities. Germany and France saw drops of 43% and 47%, respectively, while Australia’s takings fell by 41%, and Spain experienced a modest 31% decline.

“Spider-Man” also made significant strides, earning $14.4 million from 3,551 screens across 34 countries, bringing its total gross to $124.2 million. Notably, it set a new industry record in Colombia, where it earned $895,000 from 150 screens, surpassing “Harry Potter and the Sorcerer’s Stone” by over 80%. The film’s momentum continued in Mexico, where it grossed $24.2 million in its third week and was on track to beat “Titanic’s” record for the highest gross in the territory. Brazil followed with $12 million, making “Spider-Man” the second-highest grossing film of all time there.

In Japan, Tobey Maguire’s portrayal of Spider-Man saw only a 4% decline in its fourth weekend, earning $4.2 million and reaching a total of $35.1 million in the market. India experienced a 39% drop after its initial record-breaking debut, earning $2.8 million within ten days.

The comedy “Shaolin Soccer,” released during the World Cup in Japan and Korea, performed well, grossing $2.7 million in Japan from 335 screens and $2.6 million in Korea from 73 screens, outperforming expectations.

In Southeast Asia, “Panic Room” led in Singapore with $278,000 from 27 screens and in Thailand with $252,000 from 73 screens, surpassing “Erin Brockovich” in both markets. The film also performed strongly in Mexico, where it earned $1.5 million from 356 screens—double the opening of “Erin Brockovich.” Globally, “Panic Room” has accumulated over $67.7 million, with notable success in Japan, where it made $9.8 million in 16 days.

The romantic comedy “40 Days and 40 Nights” gathered nearly $3 million in Germany from 568 screens, just behind “Clones,” and earned $1.4 million in the UK from 329 screens. In Australia, “The Hard Word,” a locally produced comedy starring Guy Pearce and Rachel Griffiths, opened with a solid $457,000 from 162 screens, outperforming previous Australian hits like “Two Hands” and “Lock, Stock & Two Smoking Barrels.” However, it faces stiff competition from “Spider-Man,” which will debut there soon.

Some local distributors were surprised when “Charlotte Gray,” a WWII drama starring Cate Blanchett and directed by Gillian Armstrong, outperformed expectations with $573,000 from 159 screens in Australia. Elsewhere, the U.S. sleeper hit “Snow Dogs” had a modest release in Spain, earning $500,000 from 325 screens, with hopes for an upward trend during the upcoming holiday period.

What are the Harry Potter Movies about and Where to Watch

The Harry Potter film series chronicles the magical adventures of the titular young wizard and his friends as they confront the dark wizard Voldemort, exploring themes of friendship, courage, and the battle between good and evil. For fans wondering where to watch harry potter, the movies are widely available for streaming on major services such as Peacock, Max, and through rental on platforms like Apple TV and Amazon Prime Video.

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