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  • Sitaare Zameen Par box office collection day 1: Aamir Khan's film earns around Rs 11.5 crore
    Sitaare Zameen Par box office collection day 1: Aamir Khan's film earns around Rs 11.5 crore
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  • Aamir Khan and Genelia Deshmukh’s much-awaited film Sitaare Zameen Par has made a strong start at the box office on its opening day, earning between Rs 9.5 to Rs 11.5 crores across India. According to trade estimates, the nett trade figure stands between Rs 9.5 to Rs 10.5 crore, while the producer figure is slightly higher, at Rs 10.5 to Rs 11.5 crore.

    This emotional drama is a spiritual sequel to the 2007 hit Taare Zameen Par, which had a modest opening of Rs 2.62 crores but became a massive success, collecting over Rs 60 crores in its lifetime. The current film, however, has started off on a much stronger note, reflecting Aamir’s enduring pull at the box office despite previous setbacks.
    Aamir Khan and Genelia Deshmukh’s much-awaited film Sitaare Zameen Par has made a strong start at the box office on its opening day, earning between Rs 9.5 to Rs 11.5 crores across India. According to trade estimates, the nett trade figure stands between Rs 9.5 to Rs 10.5 crore, while the producer figure is slightly higher, at Rs 10.5 to Rs 11.5 crore. This emotional drama is a spiritual sequel to the 2007 hit Taare Zameen Par, which had a modest opening of Rs 2.62 crores but became a massive success, collecting over Rs 60 crores in its lifetime. The current film, however, has started off on a much stronger note, reflecting Aamir’s enduring pull at the box office despite previous setbacks.
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  • Interestingly, Sitaare Zameen Par is also an official remake of the Spanish film Campeones (2018). Its opening is comparable to Aamir’s last film, Laal Singh Chaddha, which opened at Rs 11.5 crores in 2022 but failed to sustain momentum. In contrast, Sitaare Zameen Par has not only garnered better reviews but is also benefiting from nostalgia and emotional resonance.

    In terms of 2025 rankings, the movie has secured the 6th highest opening for a Hindi film this year, just behind Sky Force and ahead of Jaat. The current top opener remains Chhaava with Rs 29 crores, followed by Sikandar (Rs 25 crores) and Housefull 5 (Rs21 crores).

    Made on a budget of Rs 90 crores, Sitaare Zameen Par needs to cross the Rs 100 crore mark to be declared a hit. Its release on over 3,200 screens across India — a massive leap from the originally planned 1,200 screens — has given it the wide reach needed to meet that target.
    Interestingly, Sitaare Zameen Par is also an official remake of the Spanish film Campeones (2018). Its opening is comparable to Aamir’s last film, Laal Singh Chaddha, which opened at Rs 11.5 crores in 2022 but failed to sustain momentum. In contrast, Sitaare Zameen Par has not only garnered better reviews but is also benefiting from nostalgia and emotional resonance. In terms of 2025 rankings, the movie has secured the 6th highest opening for a Hindi film this year, just behind Sky Force and ahead of Jaat. The current top opener remains Chhaava with Rs 29 crores, followed by Sikandar (Rs 25 crores) and Housefull 5 (Rs21 crores). Made on a budget of Rs 90 crores, Sitaare Zameen Par needs to cross the Rs 100 crore mark to be declared a hit. Its release on over 3,200 screens across India — a massive leap from the originally planned 1,200 screens — has given it the wide reach needed to meet that target.
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  • Sitaare Zameen Par Box Office Day 1 (Early Trends): Clocks 10 Crore+ To Emerge As The 6th Highest Opener Of 2025 In Bollywood!

    Aamir Khan led Sitaare Zameen Par has surpassed expectations on its opening day. Check out box office day 1 early trends!
    Sitaare Zameen Par Box Office Day 1 (Early Trends): Clocks 10 Crore+ To Emerge As The 6th Highest Opener Of 2025 In Bollywood! Aamir Khan led Sitaare Zameen Par has surpassed expectations on its opening day. Check out box office day 1 early trends!
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  • ‘āφāĻŽāĻŋāχ āϤ⧋ āϚāĻžāϰ-āĻĒāĻžāρāϚāϟāĻž āύ⧋āĻŦ⧇āϞ āĻĒāĻžāĻ“ā§ŸāĻžāϰ āϝ⧋āĻ—ā§āϝ’

    āĻŽāĻžāĻ°ā§āĻ•āĻŋāύ āĻĒā§āϰ⧇āϏāĻŋāĻĄā§‡āĻ¨ā§āϟ āĻĄā§‹āύāĻžāĻ˛ā§āĻĄ āĻŸā§āϰāĻžāĻŽā§āĻĒ āĻŦāϞ⧇āϛ⧇āύ, āφāĻŽāĻŋ āϚāĻžāϰ-āĻĒāĻžāρāϚāĻŦāĻžāϰ āύ⧋āĻŦ⧇āϞ āĻļāĻžāĻ¨ā§āϤāĻŋ āĻĒ⧁āϰāĻ¸ā§āĻ•āĻžāϰ āĻĒāĻžāĻ“ā§ŸāĻžāϰ āϝ⧋āĻ—ā§āϝ; āĻ•āĻŋāĻ¨ā§āϤ⧁ āφāĻŽāĻžāϕ⧇ āĻĻ⧇āĻ“ā§ŸāĻž āĻšāĻšā§āϛ⧇ āύāĻž, āĻ•āĻžāϰāĻŖ āφāĻŽāĻŋ āϞāĻŋāĻŦāĻžāϰ⧇āϞ āύāχāĨ¤

    āϏāĻŽā§āĻĒā§āϰāϤāĻŋ āĻāĻ• āĻŦāĻ•ā§āϤāĻŦā§āϝ⧇ āĻŸā§āϰāĻžāĻŽā§āĻĒ āĻŦāϞ⧇āύ, ‘āφāĻŽāĻžāϰ āĻŽāϤ⧋ āĻŽāĻžāύ⧁āώāĻĻ⧇āϰ āύ⧋āĻŦ⧇āϞ āĻĻā§‡ā§Ÿ āύāĻžāĨ¤ āφāĻŽāĻŋ āϰ⧁⧟āĻžāĻ¨ā§āĻĄāĻž, āĻ•āĻ™ā§āĻ—ā§‹, āĻ•āϏ⧋āĻ­ā§‹, āĻāĻŽāύāĻ•āĻŋ āĻ­āĻžāϰāϤ-āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ⧇āϰ āĻŽāĻ§ā§āϝāĻ•āĻžāϰ āωāĻ¤ā§āϤ⧇āϜāύāĻž āĻ•āĻŽāĻžāϤ⧇ āĻŦ⧜ āĻ­ā§‚āĻŽāĻŋāĻ•āĻž āϰ⧇āϖ⧇āĻ›āĻŋāĨ¤’

    āĻāχ āĻŽāĻ¨ā§āϤāĻŦā§āϝ⧇āϰ āĻ•ā§Ÿā§‡āĻ•āĻĻāĻŋāύ āφāϗ⧇āχ āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āϏāϰāĻ•āĻžāϰ āĻŸā§āϰāĻžāĻŽā§āĻĒāϕ⧇ ⧍ā§Ļ⧍ā§Ŧ āϏāĻžāϞ⧇āϰ āύ⧋āĻŦ⧇āϞ āĻļāĻžāĻ¨ā§āϤāĻŋ āĻĒ⧁āϰāĻ¸ā§āĻ•āĻžāϰ⧇āϰ āϜāĻ¨ā§āϝ āĻŽāύ⧋āύ⧀āϤ āĻ•āϰ⧇āϛ⧇āĨ¤ āĻ•āĻžāϰāĻŖ āϤāĻžāϰāĻž āĻŽāύ⧇ āĻ•āϰ⧇, āĻ­āĻžāϰāϤ-āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āϏāĻ‚āĻ•āĻŸā§‡ āĻŸā§āϰāĻžāĻŽā§āĻĒ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āϕ⧂āϟāύ⧈āϤāĻŋāĻ• āĻ­ā§‚āĻŽāĻŋāĻ•āĻž āĻĒāĻžāϞāύ āĻ•āϰ⧇āϛ⧇āύāĨ¤

    āĻāĻ•ā§āϏ-āĻ (āϏāĻžāĻŦ⧇āĻ• āϟ⧁āχāϟāĻžāϰ) āĻĻ⧇āĻ“ā§ŸāĻž āĻĒā§‹āĻ¸ā§āĻŸā§‡ āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āĻŦāϞ⧇āϛ⧇, ‘āĻŸā§āϰāĻžāĻŽā§āĻĒ āϏāĻžāĻšā§‡āĻŦ⧇āϰ āύ⧇āϤ⧃āĻ¤ā§āĻŦ āĻ“ āĻšāĻ¸ā§āϤāĻ•ā§āώ⧇āĻĒ āύāĻž āĻšāϞ⧇ āĻ­āĻžāϰāϤ-āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āϝ⧁āĻĻā§āϧ⧇āϰ āĻĻāĻŋāϕ⧇ āϚāϞ⧇ āϝ⧇āϤāĨ¤’

    āϤāĻŦ⧇ āĻ­āĻžāϰāϤ āϏāϰāĻ•āĻžāϰ āĻ āĻŦāĻŋāĻˇā§Ÿā§‡ āĻ•āĻŋāϛ⧁ āĻŦāϞ⧇āύāĻŋ, āĻŦāϰāĻ‚ āφāϗ⧇ āĻĨ⧇āϕ⧇āχ āϜāĻžāύāĻŋā§Ÿā§‡ āĻĻāĻŋā§Ÿā§‡āϛ⧇, āĻ•āĻžāĻļā§āĻŽā§€āϰ āĻŦāĻž āĻ­āĻžāϰāϤ-āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āχāĻ¸ā§āϝ⧁āϤ⧇ āϤāĻžāϰāĻž āϕ⧋āύ⧋ āϤ⧃āĻ¤ā§€ā§Ÿ āĻĒāĻ•ā§āώ⧇āϰ āĻŽāĻ§ā§āϝāĻ¸ā§āĻĨāϤāĻž āϚāĻžā§Ÿ āύāĻžāĨ¤

    āĻŸā§āϰāĻžāĻŽā§āĻĒ āĻāϰ āφāϗ⧇āĻ“ āĻĻāĻžāĻŦāĻŋ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύ, āϤāĻŋāύāĻŋ āĻ…āύ⧇āĻ• āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āĻļāĻžāĻ¨ā§āϤāĻŋ āωāĻĻā§āϝ⧋āϗ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇āϛ⧇āύ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āϰāĻžāϜāύ⧈āϤāĻŋāĻ• āĻ•āĻžāϰāϪ⧇ āϤāĻžāϰ āĻ…āĻŦāĻĻāĻžāύ āĻ¸ā§āĻŦā§€āĻ•ā§ƒāϤāĻŋ āĻĒāĻžā§ŸāύāĻŋāĨ¤

    ⧍ā§Ļ⧍ā§Ŧ āϏāĻžāϞ⧇āϰ āύ⧋āĻŦ⧇āϞ āĻļāĻžāĻ¨ā§āϤāĻŋ āĻĒ⧁āϰāĻ¸ā§āĻ•āĻžāϰ āĻ•āĻžāϰāĻž āĻĒāĻžāĻŦ⧇āύ, āϤāĻž āύāĻŋāĻ°ā§āϧāĻžāϰāĻŖ āĻ•āϰāĻŦ⧇ āύ⧋āĻŦ⧇āϞ āĻ•āĻŽāĻŋāϟāĻŋāĨ¤ āĻ āĻ•āĻŽāĻŋāϟāĻŋ āĻŦāĻŋāĻļā§āĻŦ⧇āϰ āύāĻžāύāĻž āĻĻ⧇āĻļ āĻĨ⧇āϕ⧇ āφāϏāĻž āĻŽāύ⧋āύ⧟āύ āϝāĻžāϚāĻžāχ āĻ•āϰ⧇āĨ¤

    āϤāĻĨā§āϝāϏ⧂āĻ¤ā§āϰ : āϰāĻŋāĻĒāĻžāĻŦāϞāĻŋāĻ• āĻ“ā§ŸāĻžāĻ°ā§āĻ˛ā§āĻĄ
    ‘āφāĻŽāĻŋāχ āϤ⧋ āϚāĻžāϰ-āĻĒāĻžāρāϚāϟāĻž āύ⧋āĻŦ⧇āϞ āĻĒāĻžāĻ“ā§ŸāĻžāϰ āϝ⧋āĻ—ā§āϝ’ āĻŽāĻžāĻ°ā§āĻ•āĻŋāύ āĻĒā§āϰ⧇āϏāĻŋāĻĄā§‡āĻ¨ā§āϟ āĻĄā§‹āύāĻžāĻ˛ā§āĻĄ āĻŸā§āϰāĻžāĻŽā§āĻĒ āĻŦāϞ⧇āϛ⧇āύ, āφāĻŽāĻŋ āϚāĻžāϰ-āĻĒāĻžāρāϚāĻŦāĻžāϰ āύ⧋āĻŦ⧇āϞ āĻļāĻžāĻ¨ā§āϤāĻŋ āĻĒ⧁āϰāĻ¸ā§āĻ•āĻžāϰ āĻĒāĻžāĻ“ā§ŸāĻžāϰ āϝ⧋āĻ—ā§āϝ; āĻ•āĻŋāĻ¨ā§āϤ⧁ āφāĻŽāĻžāϕ⧇ āĻĻ⧇āĻ“ā§ŸāĻž āĻšāĻšā§āϛ⧇ āύāĻž, āĻ•āĻžāϰāĻŖ āφāĻŽāĻŋ āϞāĻŋāĻŦāĻžāϰ⧇āϞ āύāχāĨ¤ āϏāĻŽā§āĻĒā§āϰāϤāĻŋ āĻāĻ• āĻŦāĻ•ā§āϤāĻŦā§āϝ⧇ āĻŸā§āϰāĻžāĻŽā§āĻĒ āĻŦāϞ⧇āύ, ‘āφāĻŽāĻžāϰ āĻŽāϤ⧋ āĻŽāĻžāύ⧁āώāĻĻ⧇āϰ āύ⧋āĻŦ⧇āϞ āĻĻā§‡ā§Ÿ āύāĻžāĨ¤ āφāĻŽāĻŋ āϰ⧁⧟āĻžāĻ¨ā§āĻĄāĻž, āĻ•āĻ™ā§āĻ—ā§‹, āĻ•āϏ⧋āĻ­ā§‹, āĻāĻŽāύāĻ•āĻŋ āĻ­āĻžāϰāϤ-āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ⧇āϰ āĻŽāĻ§ā§āϝāĻ•āĻžāϰ āωāĻ¤ā§āϤ⧇āϜāύāĻž āĻ•āĻŽāĻžāϤ⧇ āĻŦ⧜ āĻ­ā§‚āĻŽāĻŋāĻ•āĻž āϰ⧇āϖ⧇āĻ›āĻŋāĨ¤’ āĻāχ āĻŽāĻ¨ā§āϤāĻŦā§āϝ⧇āϰ āĻ•ā§Ÿā§‡āĻ•āĻĻāĻŋāύ āφāϗ⧇āχ āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āϏāϰāĻ•āĻžāϰ āĻŸā§āϰāĻžāĻŽā§āĻĒāϕ⧇ ⧍ā§Ļ⧍ā§Ŧ āϏāĻžāϞ⧇āϰ āύ⧋āĻŦ⧇āϞ āĻļāĻžāĻ¨ā§āϤāĻŋ āĻĒ⧁āϰāĻ¸ā§āĻ•āĻžāϰ⧇āϰ āϜāĻ¨ā§āϝ āĻŽāύ⧋āύ⧀āϤ āĻ•āϰ⧇āϛ⧇āĨ¤ āĻ•āĻžāϰāĻŖ āϤāĻžāϰāĻž āĻŽāύ⧇ āĻ•āϰ⧇, āĻ­āĻžāϰāϤ-āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āϏāĻ‚āĻ•āĻŸā§‡ āĻŸā§āϰāĻžāĻŽā§āĻĒ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āϕ⧂āϟāύ⧈āϤāĻŋāĻ• āĻ­ā§‚āĻŽāĻŋāĻ•āĻž āĻĒāĻžāϞāύ āĻ•āϰ⧇āϛ⧇āύāĨ¤ āĻāĻ•ā§āϏ-āĻ (āϏāĻžāĻŦ⧇āĻ• āϟ⧁āχāϟāĻžāϰ) āĻĻ⧇āĻ“ā§ŸāĻž āĻĒā§‹āĻ¸ā§āĻŸā§‡ āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āĻŦāϞ⧇āϛ⧇, ‘āĻŸā§āϰāĻžāĻŽā§āĻĒ āϏāĻžāĻšā§‡āĻŦ⧇āϰ āύ⧇āϤ⧃āĻ¤ā§āĻŦ āĻ“ āĻšāĻ¸ā§āϤāĻ•ā§āώ⧇āĻĒ āύāĻž āĻšāϞ⧇ āĻ­āĻžāϰāϤ-āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āϝ⧁āĻĻā§āϧ⧇āϰ āĻĻāĻŋāϕ⧇ āϚāϞ⧇ āϝ⧇āϤāĨ¤’ āϤāĻŦ⧇ āĻ­āĻžāϰāϤ āϏāϰāĻ•āĻžāϰ āĻ āĻŦāĻŋāĻˇā§Ÿā§‡ āĻ•āĻŋāϛ⧁ āĻŦāϞ⧇āύāĻŋ, āĻŦāϰāĻ‚ āφāϗ⧇ āĻĨ⧇āϕ⧇āχ āϜāĻžāύāĻŋā§Ÿā§‡ āĻĻāĻŋā§Ÿā§‡āϛ⧇, āĻ•āĻžāĻļā§āĻŽā§€āϰ āĻŦāĻž āĻ­āĻžāϰāϤ-āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āχāĻ¸ā§āϝ⧁āϤ⧇ āϤāĻžāϰāĻž āϕ⧋āύ⧋ āϤ⧃āĻ¤ā§€ā§Ÿ āĻĒāĻ•ā§āώ⧇āϰ āĻŽāĻ§ā§āϝāĻ¸ā§āĻĨāϤāĻž āϚāĻžā§Ÿ āύāĻžāĨ¤ āĻŸā§āϰāĻžāĻŽā§āĻĒ āĻāϰ āφāϗ⧇āĻ“ āĻĻāĻžāĻŦāĻŋ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύ, āϤāĻŋāύāĻŋ āĻ…āύ⧇āĻ• āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āĻļāĻžāĻ¨ā§āϤāĻŋ āωāĻĻā§āϝ⧋āϗ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇āϛ⧇āύ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āϰāĻžāϜāύ⧈āϤāĻŋāĻ• āĻ•āĻžāϰāϪ⧇ āϤāĻžāϰ āĻ…āĻŦāĻĻāĻžāύ āĻ¸ā§āĻŦā§€āĻ•ā§ƒāϤāĻŋ āĻĒāĻžā§ŸāύāĻŋāĨ¤ ⧍ā§Ļ⧍ā§Ŧ āϏāĻžāϞ⧇āϰ āύ⧋āĻŦ⧇āϞ āĻļāĻžāĻ¨ā§āϤāĻŋ āĻĒ⧁āϰāĻ¸ā§āĻ•āĻžāϰ āĻ•āĻžāϰāĻž āĻĒāĻžāĻŦ⧇āύ, āϤāĻž āύāĻŋāĻ°ā§āϧāĻžāϰāĻŖ āĻ•āϰāĻŦ⧇ āύ⧋āĻŦ⧇āϞ āĻ•āĻŽāĻŋāϟāĻŋāĨ¤ āĻ āĻ•āĻŽāĻŋāϟāĻŋ āĻŦāĻŋāĻļā§āĻŦ⧇āϰ āύāĻžāύāĻž āĻĻ⧇āĻļ āĻĨ⧇āϕ⧇ āφāϏāĻž āĻŽāύ⧋āύ⧟āύ āϝāĻžāϚāĻžāχ āĻ•āϰ⧇āĨ¤ āϤāĻĨā§āϝāϏ⧂āĻ¤ā§āϰ : āϰāĻŋāĻĒāĻžāĻŦāϞāĻŋāĻ• āĻ“ā§ŸāĻžāĻ°ā§āĻ˛ā§āĻĄ
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